I n f o r m a t i o n                                     M i c h a l  R e e d

 

michalreed@hotmail.com

559-539-2382

P.O. Box 473 Springville, California 93265

 

 

Education

1994       Master of Fine Arts, Critical Writing and Art, California Institute of the Arts, Valencia, California

1992       Bachelor of Fine Arts, Photography, California Institute of the Arts, Valencia, California

1977       Teaching Credentials: Single subject (English and Art ), and Multiple Subjects, Saint Mary's College, Moraga, California

1976       Bachelors of Art , English and Diversified Liberal Arts, Saint Mary's College, Moraga, California

     

Publications

2002       Catalogue essay: Landscape as Myth (retrospective of Michael Heivly's work), Bakersfield Museum Oct 26 - Jan 9

1999       Article: Art and the Generations, Artweek, June

            Review: Alison Saar, Art Papers, April

            Article: The Situation of the Academy, Artweek, March

1998       News: the f word, Artweek, December

            Interview: Eugenia Butler and The Book Of Lies, Artweek, November

            News: strippers and students, Artweek, June

            Review: Diane Buckler, William Turner Gallery, Artweek, January

1997       Article: Jody Zellen: Multiple Dwellings, artpress, November

            Review: Process Art: Thomas Madigan Gallery and Bakersfield Museum, Artweek, June

            Review: The Packaged Vernacular: Ron Griffin, Steve Keister, Jonathan Seliger; Artweek, April

            Review: Tony DeLap, Mark Moore, Art and Text, February.

            Grant proposal finalist for new book, This Is Not An Apple, from the National Library of Women Artists.

1996      "Even Nice Girls. . . ," for the Bad Girls issue of BUST, March.

            Review: Jody Zellen, Richard Heller Gallery, Art Papers, July/August.

            News: for Rock and Ice, August.

            Review: Converging Cultures, Skirball Center, Artweek, August.

            Review: Chris Madans, Fig Gallery, Artweek, September.

            News: for Rock and Ice, September.

            Review: Cameron Shaw, Richard Heller Gallery, Art Papers, Sept/Oct.

            Review: Joyce Kohl and Coleen Sterritt, Artweek, December.

1995      The Weight of the Body, Visual Studies Workshop Press.

1994      "She Pulled a Frog Out of the Swimming Pool," Errant Bodies, Winter 1994.

1992      "The Space Between the Real and the Imagined: Microwave Sculpture in Deep Space," with Michael L. Heivly, Leonardo, Vol. 25, No. 1.

 

Exhibitions

2002       The Weight of the Body, Southern CA Book Artists, UCLA, Los Angeles, California

2001       Restructuring a Marriage, The Center for the Book, San Francisco, California

1997       The Garden Party, text to go with Darrell Walters's drawings, for the show, "Blind Date," Ellen Birrell's Studio, Eagle Rock, California.

1997       Restructuring a Marriage, for the show, "No Boundaries," Cambridge Artists Cooperative, Cambridge, Massachusetts.

1996       Restructuring a Marriage and The Weight of the Body; Artist's books, Artworks, Santa Monica, California.

            70% Water, Artist's book group show, Speck Studios, London

1995       Restructuring a Marriage and The Weight of the Body; Artist's books, Corcoron Gallery, Washington DC.

1995       Restructuring a Marriage , Artist's books, Woman-Made Gallery, Chicago.

1994       "Walking on Egg Shells," Floor installation, Todd Madigan Gallery, CSUB, Bakersfield, California.

 

Teaching

2001-2004       Granite Hills High School, Porterville, California (English and Art)

2000-2001       California State University Bakersfield, California (Art Theory, English)

1995-2000       California Institute of the Arts, Valencia, California (Adjunct Faculty: Writing Arts, Feminist Theory, Fullbright Committee member)

1980-1996       Porterville Community College, Porterville, California, (Adjunct Instructor: Humanities, English and Photography)

 

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